SHUJI NAKAGAWA

Atelier Master
Nakagawa Mokkougei

official site

Began woodcrafting under his father, Kiyotsugu Nakagawa, who was nominated a Living National Treasure (Important Intangible Cultural Property Designation). At that point, Shuji Nakagawa set up his own atelier, Nakagawa Mokkougei Hira Studio, in Otsu City, Shiga Prefecture.

1968: Born in Kyoto

1988: Enrolled on a sculpture course in the Faculty of Arts, Kyoto Seika University. Studied contemporary art.

1992: Graduated from sculpture course.

1992: Began woodcrafting under his father Kiyotsugu (who 2001 was designated holder of Important Intangible Cultural Property)

1996: Outstanding Performance Award, Art Category, Kyoto Arts and Crafts Exhibition

1998: First Prize, Art Category, Kyoto Arts and Crafts Exhibition

1999: Invited Participant, Art Category, Kyoto Arts and Crafts Exhibition

2003: Opened his own atelier, Nakagawa Mokkougei, Hira Studio

2010: His champaign cooler, KONOHA, selected as official cooler for Don Perignon

2012: Exhibited at MAISON&OBJET, France. Joined GO ON unit for traditional crafts

2013: Exhibited at Milano Salone (Fuori Salone)

2015: Solo show Paris

2016: Duo Show, Wako, Ginza. His KI-OKE stool acquired for Permanent Collection, Victoria & Albert Museum, London

2017 KI-OKE stool acquired for Permanent Collection, Maison des Musée du Monde, Paris. Loewe Craft Prize Finalist. World tour exhibition. Solo Show at Gallery of Daimaru Department Store, Kyoto,

2018 Takumi no Mori exhibition, Pola Museum, Mou Hitotsu no Kogei Miraiha exhibition, Wako, Ginza

GO ON

From Traditional Craft to
New Creative Hubs

GO ON. We are a Kyoto-based group of six people with backgrounds in traditional Japanese craft.
Taking our roots as a starting point, we expand into multiple fields, such as art, design, science and technology.
GO ON searches for unseen potential lying within tradition.
Our creative actions reconsider the future, and the bright ages still to come.

Thought and Action

GO ON as Thought and Action

What is GO ON?
Its attitudes are always focused, never blurred, but it is still dificult to encapsulate what they do in a few words. GO ON poses important questions actively embracing a wide range of interests. As I write, I’m sure they are discussing how to make further progress.

GO ON was launched in 2012 by successors to traditional Kyoto craft groups.
Its members inherited companies with long histories, and all six are devoted to pursuing their own area of creativity. At the same time, they formed the project unit GO ON to serve as a platform, or rather environment, from which to generate flexible, liberated ideas. Several proactive projects have been completed so far.

GO ON is, so to speak, organic. Actions are carried out in the spiritual mindset of the artisan, using physical motions of hand and body, but also exuding an energy that pushes out from prior frameworks. They continue with the world of traditional craft technique and spirit, projecting its influence into new realms.

Connecting craft with art, design, science and technology, GO ON crosses various genres to generate new creative expressions, and its work has been applauded both inside and outside craft worlds. The materials, techniques, and processes of crafts are inherited over the long course of history, but GO ON brings these into contact with cutting edge technology, leading to previously unthought of creative insights.

It is important to note that GO ON does not just expand the purview of craft. Its members also search for contemporary creative possibilities beyond that framework. Their method is to question assumptions at the core of tradition.

Interestingly, ideas obtained from these explorations are then returned to thfield of craft practice and creation. GO ON members once said, ‘We wish to stand outside the traditional realm of craft, treading ground in areas not normally considered to be craft’s mainstream. We never stop questioning.’

GO ON is nothing if not a search for the future, for a new thinking, and for its realisation.
It is a challenge posed by six people who explore foundations to support creative activity, investigating the value and process of object-making, and the meaning and richness of life.

Text: Noriko Kawakami, DESIGN JOURNALIST

GO ON DBS
Kyoto Craft Theory Research Association

GO ON DBS Kyoto Craft Theory Research Association is a program that transcends the perspectives of craft, design, and business to aim for the creation of new value.
It serves as a hub for learning and practice where artisans, creators, and business leaders gather to explore the future, think about possibilities, and lead them to realization.

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